{"title":"Vinyl","description":"","products":[{"product_id":"sunrcd015","title":"Derrick Morgan - Shake A Leg - CD Album","description":"\u003cp\u003eFormat: CD\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCD\u003cbr\u003e1. Fatman\u003cbr\u003e2. Don't Cry\u003cbr\u003e3. Feeling So Fine\u003cbr\u003e4. Lover Boy\u003cbr\u003e5. Teach My Baby\u003cbr\u003e6. Leave Earth\u003cbr\u003e7. Housewive's Choice\u003cbr\u003e8. Night Are Lonely\u003cbr\u003e9. See And Blind\u003cbr\u003e10. Wigger We Shuffle\u003cbr\u003e11. Shake A Leg\u003cbr\u003e12. Golden Rule\u003cbr\u003e13. Sunday Monday\u003cbr\u003e14. The Hop\u003cbr\u003e15. Be Still\u003cbr\u003e16. Don't You Know Little Girl\u003cbr\u003e17. Come On Over\u003cbr\u003e18. Come Back Darling\u003cbr\u003e19. Headache\u003cbr\u003e20. In My Heart\u003cbr\u003e21. Troubles\u003cbr\u003e22. Forward March\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Derrick Morgan","offers":[{"title":"CD","offer_id":29942280683617,"sku":"SUNRCD015","price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/3521\/8785\/products\/s993620906317102866_p3_i2_w1600.jpg?v=1573179769"},{"product_id":"seccd011","title":"Desmond Dekker - King of Ska - CD Album","description":"\u003cp\u003eFormat: CD\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Jamaica Ska\u003cbr\u003e2. Wise Man\u003cbr\u003e3. Intensified\u003cbr\u003e4. Rudy Got Soul\u003cbr\u003e5. The More You Live\u003cbr\u003e6. Israelites\u003cbr\u003e7. Pickney Gal\u003cbr\u003e8. Pretty Africa\u003cbr\u003e9. Problems\u003cbr\u003e10. It Mek\u003cbr\u003e11. Don't Blame Me\u003cbr\u003e12. 007 (Shanty Town)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Desmond Dekker","offers":[{"title":"CD","offer_id":29942282158177,"sku":"SECCD011","price":4.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/3521\/8785\/products\/s993620906317102866_p14_i2_w1600.jpg?v=1573179772"},{"product_id":"seclp080","title":"Shakatak - Live In Japan - 2 x Vinyl LP","description":"\u003cp\u003eFormat: 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: none; font-style: normal; font-weight: 400; color: #555555;\"\u003eSecret Records are releasing a double CD\/LP of Shakatak live at the Nakano Sun Plaza Hall, Tokyo on the 15thDecember 1983, previously only available in Japan.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: none; font-style: normal; color: rgb(85, 85, 85);\"\u003eTracklisting:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLP1\u003cbr\u003eA1. 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From a song-writing viewpoint, \"˜Howlin' At The Moon' clearly demonstrates the variety of Mayall's ability not only a writer but also as a bandleader able to harness some of the finest playing from his all-star group.\u003cbr\u003e\"˜Emergency Boogi' highlights Mayall's own playing prowess on piano and harmonica with Taylor providing some fierce slide guitar to back it up. On slow blues jams \"˜Rolling With The Blues', \"˜Sitting Here Alon' and \"˜Howlin' Moon', we are treated to extended solos from Taylor on guitar and Mayall on piano\/harmonica, using the band dynamic to ascend to thrilling climaxes throughout. John McVie and drummer Colin Allen provide a rock solid rhythm foundation as the perfect back-drop for the masterful lead playing. \"˜Room To Mov' begins with a jazz fusion flavoured jam with Mayall scatting rhythms with his mouth that are matched by Allen, swiftly moving onto a traditional blues boogie. Rounding off the LP is a rollicking rendition of \"˜The Stumbl', executed with a powerful energy and groove from the whole band to leave a lasting impression.\u003cbr\u003eEnjoy \"˜Howlin' At the Moon' as a raw and thrilling look at one of the finest British blues masters doing what he does best alongside a supremely talented group of musicians.\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003eSide 1\u003c\/div\u003e\n\u003cdiv\u003e1. Emergency Boogie\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e2. Rolling With The Blues\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e3. Howlin' Moon\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003eSide 2\u003cbr\u003e1. Room To Move\u003c\/div\u003e\n\u003cdiv\u003e2. Sitting Here Alone\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e3. 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One such artist whose name is synonymous with this emerging scene is the now renowned Lauren Aitken aka \"the Godfather of Ska\", who featured\/collaborated with artists and groups including Clement 'Coxsone' Dodd, Arthur 'Duke' Reid, The Bluesbeat , The Boogie Cats and Ruddy \u0026amp; Sketto.\u003cbr\u003eLauren Aitken, who during the late 1950s was Jamaica's first real recording star was also amongst the first to release a Ska record. Aitken's collaboration with music producer Chris Blackwell allowed his 1958 single \"Boogie in My Bones\" b\/w \"Little Sheila\" to be the first Jamaican popular music record to be released in the United Kingdom. Other more Jamaican rhythm and blues orientated singles from this period include \"Low Down Dirty Girl\" and \"More Whisky\" both produced by Duke Reid. Additionally, Aitken recorded for several prominent producers, including Reid, Leslie Kong, and Ken Khouri. In 1960, spurred by the popularity of his records in England, Aitken moved to London. There he began recording for Blue Beat, the first British-based label to cater to Jamaican immigrant tastes. Blue Beat's first single was a reissue of \"Boogie Rock,\" and not long after, \"Mary Lee\" became the first song Aitken recorded specifically for the label. Aitken cut more than 15 singles for Blue Beat then temporarily returned to Jamaica in 1963.\u003cbr\u003eTo be issued on 25 track CD and 180 gram 16 track vinyl, \"˜The Blue Beat Explosion vol.2' features the early, essential Lauren Aitken influenced tracks from some of the major names in Ska and Reggae music aimed at those interested in the beginnings of these timeless genres.\u003cbr\u003e\u003cbr\u003eCD\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e1. Little Sheila - Laurel Aitken and The Caribs\u003cbr\u003e2. Boogie In My Bones- Laurel Aitken and The Caribs\u003cbr\u003e3. 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Mighty Redeemer - Laurel Aitken and The Blue Beats\u003cbr\u003e18. Bouncing Woman - Laurel Aitken and The Blue Beats\u003cbr\u003e19. Please Don't Leave Me - Laurel Aitken and The Blue Beats\u003cbr\u003e20. Bar Tender - Laurel Aitken and The Blue Beats\u003cbr\u003e21. Mabel - Laurel Aitken and Hyacinth\u003cbr\u003e22. Mash Potato Boogie - Laurel Aitken and The Blue Beats\u003cbr\u003e23. Weary Wanderer - Laurel Aitken with Ruddy and Sketto\u003cbr\u003e24. Going To Kansas City - Laurel Aitken\u003cbr\u003e25. Lucille - Laurel Aitken\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eLP\u003cbr\u003eSide 1\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e1. Boogie In My Bones - Laurel Aitken and The Caribs\u003cbr\u003e2. Honey Girl- Laurel Aitken and The Caribs\u003cbr\u003e3. Boogie Rock- Laurel Aitken and The Boogie Cats\u003cbr\u003e4. 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Lucille - Laurel Aitken\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Various","offers":[{"title":"Default Title","offer_id":29942374957153,"sku":"SUNRLP012","price":10.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/3521\/8785\/products\/s993620906317102866_p257_i1_w1600_756a3aed-86e7-4682-be79-afbc6415c3c5.jpg?v=1573181073"},{"product_id":"sunrlp013","title":"Various - Down Beat Shuffle - Vinyl LP","description":"\u003cp\u003eFormat: LP\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eStudio One is one of Jamaica's most renowned record labels and recording studios, lovingly described as the'Motown of Jamaica'. The record label was involved with most of the major music movements in Jamaica during the 1960s and 1970s including ska, rock steady, reggae,dub and dance hall.\u003cbr\u003eFounded by Clement 'Coxsone' Doddin 1954, the studio's first recordings were cut in 1963 on Brentford Road in Kingston. Dodd had previously issued music on a series of other labels and had built a name for himself running 'Sir Coxsone the Downbeat', one of the largest and most reputable sound systems in the Kingston ghettos. Much of the success of Studio One is credited to Dodd, from his earliest days as a producer he has understood the complexities of making a hit. Mr. Dodd values good singing, good song-writing, good horn lines and fierce bass lines... he is reggae's Phil Spector, Berry Gordy, and Dick Clark all wrapped into one.'\u003c\/p\u003e\n\u003cp\u003eAmong the earliest recordings made in Studio One were \"Easy Snappin'\" by Theopilus Beckford, backed by Clue J And His Blues Blastersand \"That Man is Back\" by famed trombonist Don Drummond, both featured on\"˜Downbeat Shuffle - Studio One - The Birth Of A Legend'.This album aims to look back to the beginning of the studio's history as well as feature a number of famous Jamaican muses who started their careers at Studio One including Owen Gray, The Blues Busters, Derrick Morgan, Clancy Eccles and much more.\u003cbr\u003eBuy now for a comprehensive look at a timeless collection of Jamaican music produced from one of the world's most unique and prolific recording studios!\u003cbr\u003e\u003cem\u003e\u003cbr\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLP 1 - Side 1\u003cbr\u003e1. 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Jack And Jill Shuffle - Theo Beckford\u003cbr\u003e5. Grand National - Roland Alphonso\u003cbr\u003e6. That Man Is Back - Don Drummond\u003cbr\u003e7. Wicked And Dreadful - Neville Esson\u003cbr\u003e8. Salt Lane Shuffle - Clue J. And His Blues Blasters\u003c\/p\u003e\n\u003cp\u003eSide 2\u003cbr\u003e1. Get Drunk - Owen Gray\u003cbr\u003e2. That's Me - Theo Beckford\u003cbr\u003e3. Margie - The Dew Droppers\u003cbr\u003e4. I Do - Neville Essen\u003cbr\u003e5. Four Corners Of The World - Roland Alphonso\u003cbr\u003e6. Dew Drops - Don Drummond\u003cbr\u003e7. Darling Don't Leave Me - The Jiving Juniors\u003cbr\u003e8. 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A lot of these would have been sourced from legendary labels such as Sun, Columbia, King and Decca whilst overlooking many of the smaller, independent labels who were shuffling the genre forward from an underground perspective.\u003cbr\u003eThese labels may not have had the big name stars but they certainly supported the integrity and passion that were in many of their performers. John Burton and John Kennedy, the dedicated compilers who put this album together, have attempted to represent these obscurer artists highlighting to rockabilly listeners the vast amount of talent that may have been overlooked.\u003cbr\u003eThe tracks compiled for the 'Red Hot Rockabilly: Got Rockin' On My Mind' LP album are the rarest cuts of vintage rockabilly music. To make this vinyl release unique and special, the majority of the tracks are not featured on the CD version and two of the tracks are previously unreleased. One of these, Jimmie Dal's 'Baby Doll' was captured at his father's house in preparation for the studio the next day. The excitement and nerves can be felt through this raggedy take as for a 17 year old at the time, this was an important step in his career. Also of note on the LP are Phil Gray and His Go Boys who apparently sounded so much like Elvis that Colonel Tom Parker (Elvis' manager) bought and destroyed every copy of this release that he could find whilst bribing radio stations not to play it.\u003cbr\u003eOriginal, authentic and with extensive sleeve notes on the artists featured; this is a valuable look into America's musical history.\u003cbr\u003e\u003cbr\u003eTracklisting\u003cbr\u003eSide 1\u003cbr\u003e\u003cbr\u003e1. Gradie O'Neal and The Bella Tones -Turkey Neck Stretch\u003cbr\u003e2. H-Tombs - Sweet Rockin' Mama\u003cbr\u003e3. Larry Dowd \u0026amp; The Rockin' A Tones - Blue Swinging Mama\u003cbr\u003e4. 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Fronting The Georgia Satellites for the decade of 1980, Baird was at the helm of a band who were not only explosive live but were also able to score a number of chart-bothering hits including ’Battleship Chains’, ‘Open all Night’, ‘Railroad Steel’ and their biggest hit ‘Keep Your Hands To Yourself'.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eProving that southern rock still had a place in popular music, Baird’s 1992 solo debut ‘\u003c\/span\u003e\u003cem\u003eLove Songs for the Hearing Impaired’ \u003c\/em\u003e\u003cspan\u003ewas immediately lauded by press and fans alike including Rolling Stone magazine claiming that \"This is how bluesed-up macho rock ought to be served”. 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They were soon getting recognized across Europe for their political songs covering themes such as working class life, the industrial revolution and the miner's strike of 1984-85. Having their singles both censored and blacklisted from the BBC because of references to Margaret Thatcher and the South African apartheid regime didn't stop them from propelling to stardom in Europe, and in 1989 they played an unforgettable gig to over 250,000 people in Estonia as the communist regime was falling apart. After splitting up in 1991, TMTCH permanently reunited in 1996 and have kept touring and releasing albums to critical acclaim ever since. \u003cbr\u003e \u003cbr\u003e This performance was recorded at The Islington Academy in 2004 and contains 10 of TMTCH's best loved songs, including the hits 'Shirt Of Blu', 'The Colours', 'The Ghosts Of Cable Street' and 'Rosettes' to name a few. 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His role in shaping the history of Jamaican music in particular and recorded music in general is immensely vast. For decades Lee Perry was the driving force behind the most important movements in reggae and since 1980 reissues of his previously released and unreleased material have assured his status in modern day music.\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSide 1\u003cbr\u003e1. Holyness (4.30)\u003cbr\u003e2. I Believe In Miracles (4.34)\u003cbr\u003e3. On the Street Again (4.36)\u003cbr\u003e4. Find The Love (5.40)\u003cbr\u003e5. Starliner (4.36)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSide 2\u003cbr\u003e1. Scratch It (4.37)\u003cbr\u003e2. Emperor Haile Salassic Light (4.30)\u003cbr\u003e3. One God Open Brain (4.27)\u003cbr\u003e4. Merlin, White Magic Air (4.58)\u003cbr\u003e5. Revolution (4.08)\u003c\/span\u003e\u003c\/p\u003e","brand":"Lee Perry","offers":[{"title":"Vinyl","offer_id":32364444942433,"sku":"SECLP125","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/3521\/8785\/products\/s993620906317102866_p426_i1_w1600.jpg?v=1573179833"},{"product_id":"seccd202-seclp119","title":"The Animals - Ark -  Vinyl LP","description":"Formats available  CD \u0026amp; LP\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003eWith their gritty, bluesy sound and Eric Burdon's deep, powerful voice, The Animals took the world by storm when they released their epic transatlantic No. 1 hit, 'The House Of The Rising sun'.\u003cbr\u003e\u003cbr\u003e As a consequence they spent most of their time on the road which meant there was little time for recording, and only released three albums during their heyday. After the first incarnation of the band split up in the mid-60's, followed by several line-up changes and solo projects, the band re-united to record the 1977 aptly named album 'Before We Were So Rudely Interrupted' (Cat. No. SECLP108). \u003cbr\u003e\u003cbr\u003e This album stems from the second and last reunion effort from the five original Animals from the group's first incarnation: Eric Burdon (vocals), Alan Price (keys), Hilton Valentine (guitar), Chas Chandler (bass) and John Steel (drums). 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Inspired by Lee Perry's nickname 'The Upsetter' he adopted \"˜The Observer' as an alias and started releasing music on his new Observer label. The first major hit was 'Blood \u0026amp; Fire' in 1970 which made him one of Jamaica's most sought after producers. He continued to record his own music whilst working with reggae legends such as The Heptones, Gregory Isaacs, I-Roy and Dillinger.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e \u003cspan\u003eThis is another fine Dub album from Niney The Observer, also known as Page One, featuring riddims possibly mixed at King Tubbys Studio in Jamaica.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e Side 1\u003cbr\u003e\u003cspan\u003e1. 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Michael Prophet’s Roots Rhythms are evident from the moment the music and vocals start.\u003c\/p\u003e\n\u003cp\u003e‘Certify’ was recorded and mixed at the world famous Channel One Studio in Jamaica and engineered by the legendary ‘Scientist’. Musicians of note performing on these tracks include the High Times and Roots Radics Bands with backing vocals by the Tamlins and horns by Dean Fraser and Nambo Robinson.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide 1\u003cbr\u003e\u003cspan\u003e1. 2000 Years\u003cbr\u003e2. Evil Doers\u003cbr\u003e3. Certify\u003cbr\u003e4. Jah Love\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSide 2\u003cbr\u003e\u003cspan\u003e1. World Of Confusion\u003cbr\u003e2. Give I A Try\u003cbr\u003e3. It's Time\u003cbr\u003e4. Back Off\u003cbr\u003e5. 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Inspired by Lee Perry's nickname 'The Upsetter' he adopted \"˜The Observer' as an alias and started releasing music on his new Observer label. The first major hit was 'Blood \u0026amp; Fire' in 1970 which made him one of Jamaica's most sought after producers. He continued to record his own music whilst working with reggae legends such as The Heptones, Gregory Isaacs, I-Roy and Dillinger.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide 1\u003cbr\u003e1. Jah's Children In Style\u003cbr\u003e2. Lov's Dub\u003cbr\u003e3. Ready For It\u003cbr\u003e4. Way Of Life\u003cbr\u003e5. Observer's Style\u003c\/p\u003e\n\u003cp\u003eSide 2\u003cbr\u003e1. Mind Blowing Dub\u003cbr\u003e2. Persuasion\u003cbr\u003e3. Nuff Bread On Our Table\u003cbr\u003e4. Love In The Land\u003cbr\u003e5. 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They initially released their recordings on their own Morwell Esquire label. The band expanded to a trio in 1974 with the addition of Louis Davis, formerly of The Versatiles alongside Junior Byles. David was a talented arranger and also taught Lamont to play guitar. They had a series of successful singles in the mid-1970s, and received sufficient interest in the United Kingdom to establish a distribution deal. Their first two albums, Presenting The Morwells and its King Tubby-mixed dub counterpart Dub Me, were issued in 1975. Wellington began working as a studio engineer and producer for Joe Gibbs in 1976, working on the early recordings by Culture, while Lamont joined The Revolutionaries as rhythm guitarist, although they continued to work as The Morwells. Their new connections gave them access to much of Jamaica's musical talent of the era, and in 1977 they were joined by bassist Errol Holt. Further albums followed in the late 1970s and early 1980s, although the group had stopped working together in 1980. Holt and Lamont continued with the Roots Radics, the band that they had formed in 1978, while Wellington concentrated on production (including several records by his brother, the deejay Nicodemus) and continued to run the Morwell label, later moving to New York City. Lamont died of prostate cancer in December 1993, and Wellington, after returning to Jamaica in 1998, died in October 2000 from adenocarcinoma.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSide 1\u003cbr\u003e1. Baby Why Did You Leave Me To Cry\u003cbr\u003e2. Swing And Dine\u003cbr\u003e3. Reality\u003cbr\u003e4. Come On Little Girl\u003cbr\u003e5. Got To Be Witty\u003cbr\u003e6. Movie Star\u003cbr\u003e\u003cbr\u003eSide 2\u003cbr\u003e1. Got To Find Somewhere To Live\u003cbr\u003e2. Bit By Bit\u003cbr\u003e3. Give Me Power\u003cbr\u003e4. Music Is So Divine\u003cbr\u003e5. (See Me Again) Roman Stewart\u003cbr\u003e6. Crab Race\u003c\/p\u003e","brand":"The Morwells","offers":[{"title":"Default Title","offer_id":29942447374433,"sku":"BSRLP990","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/3521\/8785\/products\/s993620906317102866_p449_i1_w1600_ff100097-5ff0-43f6-9401-38e12f623ee0.jpg?v=1573181022"},{"product_id":"bsrlp989","title":"Well Pleased \u0026 Satisfied - Give Thanks And Praise - Vinyl LP","description":"\u003cdiv\u003eFormat: LP\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e180 gram vinyl reissue of the debut album from 1978.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003eMany great bands have an instigator; the main-man; the one who draws together other talent to create an exceptional body of work and the group Well Pleased And Satisfied is no exception. In this case it's a man named Ephraim 'Jerry' Baxter. Born in 1947 in the tough Kingston 11 district, after schooling Jerry started work making brooms, then progressed on to bags and handbags which he took round different Kingston department stores. Through his schooling he developed an interest in African history and soon arrived at the gates of Clement 'Coxson' Dodd's Studio One recording faculty where he auditioned a number of songs with the most successful being Wepp which appeared on the flipside of Larry Marshall's massive selling Nanny Goat. As the tail-end of the 1960's arrived Jerry and Ranchie formed The Actions with Well Pleased And Satisfied arriving a little later as the 1970's dawned.\u003cbr\u003eThe Actions first hit was in 1968 with Catch The Quinela for Coxsone Dodd and with the release credited to The Jamaican Actions. Giddy Up followed and sadly on the UK issue on Coxsone was credited to The Heptones. By the mid 1970's Well Pleased And Satisfied had hit with such strident titles as Black On Black (1974) and Living in The Slum (1975). The latter found UK issue on Cactus, a label owned by Creole Records, and alerted many enthusiasts who couldn't get hold of Jamaican imported records to the group. These tracks were self-financed by Jerry at the Hookim brothers Channel One studio with the cream of Jamaican session men like Sly Dunbar, Bobby Ellis and Tommy McCook and he also hired his old friend Ranchie McLean. The session group would rapidly gain the attention of all the producers in Kingston so tight was their playing, and soon they were collectively named The Revolutionaries and would appear on countless recordings both backing artists and in their own right on rocking dub albums and flipsides of 45s. Give Thanks And Praise and Love Train were the two albums Jerry recorded under the name Well Pleased And Satisfied with The Revolutionaries backing him. Recorded at Channel One and Randy's with a mix done at King Tubby's, no money had been spared on the work. These were self-financed, so they not only cost him a fair amount of money in studio and musician fees but also a great deal of time. Once in London Paul Johnson secured a deal with Mr Rana of the Burning Sounds label to issue both albums. Unfortunately the advance for the two albums given to him didn't make it back to Jerry, and Paul flitted across the Atlantic to New York instead of hopping home to Jamaica.\u003cbr\u003eAs the 1970's moved to the 1980's and the music changed to the more hedonistic Dancehall style Jerry's output diminished with just a few notable recordings such as Somebody's Watching You which popped up on the flipside of a Mighty Diamonds 12 from 1984 entitled Fight It Out There. He also had a London hit on the Tribesman label with an update of Bob Andy and Marcia Griffiths' Always Together released under his own name with Lovers queen Joy White taking Marcia's part. But from there he slowly disappeared from the scene, although his work lives on with so many songs as relevant today as when they were recorded almost four decades ago.\u003cbr\u003eGive Thanks And Praise could almost be considered a greatest hits set with a number of Jamaican singles included such as Chat Chat, Walla Walla and Black On Black plus Living In The Slum which resurfaces as Freedom Freedom while Zion High takes the classic Rasta anthem Africa We Want To Go (originally a 1959 Calypso semi-instrumental called Tabu from Cyril Diaz \u0026amp; Orchestra with lyrics added later by the Rastafarians) and adds new lyrics.\u003cbr\u003eLove Train highlights The Revolutionaries 'rockers' sound and is a 'showcase' album which means the corresponding dub follows each vocal track. 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Zion High\u003c\/div\u003e","brand":"Well Pleased \u0026 Satisfied","offers":[{"title":"Default Title","offer_id":29942450290785,"sku":"BSRLP989","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/3521\/8785\/products\/LPM_596.jpg?v=1594365991"},{"product_id":"bsrcd987","title":"Leroy Smart - Dread Hot in Africa + Propaganda - CD Album","description":"\u003cp\u003eFormat: CD\u003c\/p\u003e\n\u003cp\u003eLeroy Smart was born in 1952; he was orphaned at the age of two and raised at Maxfield Park Children's Home. Smart was educated at Alpha Boy's School where he studied singing, drums and dancing.\u003cbr\u003eIn 1969 Leroy recorded his first single 'It Pains Me' for producer Mr Caribbean. In 1970 he recorded 'Ethiopia' for Joe Gibbs and the first version of one of his most famous songs 'Pride and Ambition' with producer Gussie Clarke.\u003cbr\u003eLeroy's breakthrough came in 1973 when he released 'Mother Liza' produced by Jimmy Radway when it topped the local singles chart. 'Pride and Ambition' also became a big hit. In 1976 he released 'Ballistic Affair' with Bunny Lee at Channel One; it became one of his best known songs. Leroy Smart now has over 35 albums and still continues to record. In Jamaica Leroy is regarded as one the most outrageous and colourful character's.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003cbr\u003eCD\u003cbr\u003eDread Hot in Africa\u003cbr\u003e1. Jah Jah Forgive Them\u003cbr\u003e2. Beautiful Rainbow\u003cbr\u003e3. Africa\u003cbr\u003e4. Babylon Wicked\u003cbr\u003e5. I Love You Girl\u003cbr\u003e6. Love In My Heart\u003cbr\u003e7. African Woman\u003cbr\u003e8. Give Jah Praises\u003cbr\u003e9. No Love\u003cbr\u003e10. Love Everyone\u003cbr\u003e11. Just Tell Me\u003cbr\u003e12. Mister Smart\u003c\/p\u003e\n\u003cp\u003ePropaganda\u003cbr\u003e13. Mother Liza\u003cbr\u003e14. Propaganda\u003cbr\u003e15. No Check Babylon God\u003cbr\u003e16. Baby Why?\u003cbr\u003e17. Shower\u003cbr\u003e18. Hate No One\u003cbr\u003e19. Learn The Good\u003cbr\u003e20. Don't Trust Them\u003cbr\u003e21. Stick Together\u003cbr\u003e22. Beverley\u003c\/p\u003e\n\u003cp\u003eVinyl\u003cbr\u003eSide 1\u003cbr\u003e1. Jah Jah Forgive Them (2.59)\u003cbr\u003e2. Beautiful Rainbow (3.01)\u003cbr\u003e3. Africa (3.14)\u003cbr\u003e4. Babylon Wicked (2.52)\u003cbr\u003e5. I Love You Girl (2.13)\u003cbr\u003e6. Love In My Heart (2.45)\u003cbr\u003eSide 2\u003cbr\u003e1. African Woman (2.51)\u003cbr\u003e2. Give Jah Praises (2.54)\u003cbr\u003e3. No Love (3.24)\u003cbr\u003e4. Love Everyone (3.15)\u003cbr\u003e5. Just Tell Me (2.57)\u003cbr\u003e6. Mister Smart(2.57)\u003c\/p\u003e","brand":"Leroy Smart","offers":[{"title":"CD","offer_id":29942453010529,"sku":"BSRCD987","price":8.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/3521\/8785\/products\/s993620906317102866_p461_i1_w440.jpg?v=1594365994"},{"product_id":"bsrlp986","title":"The Revolutionaries - Burning Dub - Vinyl LP","description":"\u003cp\u003eFormat: LP\u003c\/p\u003e\n\u003cp\u003eCD and Vinyl LP re-release of the classic 1978 album.\u003cbr\u003e180 gram vinyl of Burning Dub with insert and sleeve notes by Michael de Koningh and released on the revitalised Burning Sounds imprint.\u003cbr\u003eJunior English may not be the first name to skank into a roots and dub-lover's head when checking out a gloriously Rasta-infused album from the late 1970's. Blessed with a clean sweet voice equal to Pat Kelly or Junior Murvin and a superb production talent, unfortunately he is now most remembered for honeyed UK lovers hits.\u003cbr\u003eBut unknown to many, he also took the reign on some heavyweight sessions in Jamaica resulting in his Natural High album and its dub partial-counterpart Burning Dub utilizing the best studio band in the land - The Revolutionaries.\u003cbr\u003e1978 was a busy year for with a number of albums recorded and finding release through the Burning Sounds Company via Junior's old friend Clement Bushay.\u003cbr\u003eBurning Dub came about as many dub albums of the period did, by reusing tracks already recorded.\u003cbr\u003eRecorded at Channel One with Sly Dunbar and all his Revolutionary colleagues it really is a long lost classic.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide 1\u003cbr\u003e1. Rueben 3.39\u003cbr\u003e2. Simeon And Levi 2.34\u003cbr\u003e3. Judah 3.06\u003cbr\u003e4. Issachar 4.03\u003cbr\u003e5. Zebulun 4.24\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSide 2\u003cbr\u003e1. Dan 4.46\u003cbr\u003e2. Gad And Asher 3.52\u003cbr\u003e3. Naptali 3.55\u003cbr\u003e4. Joseph 4.56\u003cbr\u003e5. Benjamin 2.35\u003c\/p\u003e","brand":"Revolutionaries","offers":[{"title":"Default Title","offer_id":29942453698657,"sku":"BSRLP986","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/3521\/8785\/products\/s993620906317102866_p464_i1_w515_1e84aa64-2209-447c-a9a5-84b9ece42000.jpg?v=1573180948"},{"product_id":"bsrlp985","title":"Revelation - Book Of Revelation - Vinyl LP","description":"\u003cp\u003eFormat: LP\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide 1\u003cbr\u003e1. Happiness\u003cbr\u003e2. 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Always a keen hard working student, while studying Electrical Engineering at Kingston Technical High School, Pat worked part time at Chin's Radio Services on Church Street in downtown Kingston where the proprietor, Ivan Chin, operated one of Jamaica's first recording studios. Pat was awarded a scholarship to continue his education in Springfield, Massachusetts, USA where, after three years, he graduated with a degree in Advanced Electronics.\u003c\/p\u003e\n\u003cp\u003eWhen he returned home Pat joined a local vocal group known as The Sheridons alongside Winston Francis, Owen Roberts and Edwin Brown who were rated as \"the group in the area\". They recorded \"˜Merry Christmas' and \"˜This Is My Last Letter' for Carlos Malcolm's Up Beat label, \"˜Al Di Da' which was released on WIRL and \"˜Relax With A Diamond' which came out on Kentone before going their separate ways in 1967. Pat was then asked to join The Techniques at Treasure Isle as a replacement for Keith \"˜Slim' Smith who had left, together with Franklyn White, to form The Uniques with Roy Shirley under the auspices of Bunny \"˜Striker' Lee. The Techniques first record with Pat on lead vocals, \"˜You Don't Car', was a riveting rock steady version to The Impressions' \"˜You'll Want Me Back' and spent six weeks at the Number One position on the Jamaican charts. It was followed up with \"˜Queen Majesty', an interpretation of The Impressions' \"˜Minstrel \u0026amp; Queen', and both songs have been endlessly versioned over the ensuing years. With Pat's soulful falsetto to the fore The Techniques created some of Duke Reid's greatest hits during the rock steady era, including \"˜Love Is Not A Gambl', \"˜It's You I Lov' and \"˜My Girl', all emanating from his Bond Street studio.\u003c\/p\u003e\n\u003cp\u003eIn 1968 Pat left The Techniques and made his first solo recordings with starting with \"˜Somebody's Baby' and, as the Rock Steady rhythms accelerated into the faster reggae style he sang \"˜How Long Will It Tak'. The record was a huge hit and was one of the first to be overdubbed with a string arrangement for the UK market when it was released on the Palmer Brothers' Gas subsidiary the following year. Pat followed this up with another smash hit, \"˜If It Don't Work Out', a version to John D. Loudermilk's \"˜Then You Can Tell Me Goodby'. Both hits were showcased on his debut solo album, \"˜Pat Kelley Sings', for Pama Records which was engineered by Lee \"˜Scratch' Perry. Another big seller, the set included versions of \"˜Dark End Of The Street' and \"˜Tracks Of My Tears' and placed Pat as one of Jamaica's pre-eminent interpreters of classic soul songs. His UK tour in December 1969 was a resounding success with Jamaican expatriates and regga's new white audience... the skinheads. The Beatles allegedly tried to sign Pat to their Apple label with a proposed £25,000 deal but were unable to do so due to Pat's contractual commitments.\u003c\/p\u003e\n\u003cp\u003ePat Kelly continued to make hit records on his return to Kingston recording \"˜Soulful Lov' and \"˜Talk About Lov' for Phil Pratt and a cover of John Denver's \"˜Sunshin' for Duke Reid. Pat also worked on a freelance basis as a recording engineer at Randy's, Channel One and King Tubby's studios where he was drafted in as a \"˜temporary' replacement for \"˜Princ' Phillip Smart in 1975 after Phillip had relocated to New York. He worked occasionally at Dromilly Avenue until the end of the decade and, although very few of his subtle, restrained mixes are named, the dub side of \"˜Trod Along (Zion Pathway) by Ricky Storme (I Kong) on the Earth label credited to I Pat, demonstrated his mastery of the mixing board.\u003c\/p\u003e\n\u003cp\u003eThe popularity of roots reggae in the latter half of the seventies, when \"˜Rockston' voiced chanters came to the fore, temporarily eclipsed sweet voiced singers but there was always a demand for accomplished vocalists and, in 1978, Pat began to record for Buster and Winston Riley. Winston was one of the original Techniques who, in the intervening decade, had established himself as one of Jamaica's leading record producers; his involvement with the Jamaican recording business reached back to its earliest days. Born in 1946 Winston grew up in West Kingston and, after leaving school, trained as a male nurse because he felt that music was not a career option... how ironic. His musical influences were The Rhythm Aces, Jimmy James and The Impressions and in 1962 Winston composed the first incarnation of The Techniques at Kingston Senior School and Chocomo Lawn Youth Club which was \u003ci\u003e\"developed by Edward Seaga\".\u003c\/i\u003e The original Techniques were Winston, Keith \"˜Slim' Smith, Frederick Waite and Franklyn White and later Junior Menz, Jackie Parris, Bobby Davis, Bruce Ruffin, Jimmy Riley, Dave Barker, Lloyd Parks, Morvin Brooks, \"˜Johnny' from \"˜Johnny \u0026amp; The Attractions' and Pat Kelly would become members of the group. Each and every member was a superb singer in their own right all and would share lead and harmony duties. Their first record, \"˜No On', was released internationally on Columbia and the group went on to record for Sonia Pottinger, Ken Khouri, Byron Lee and Ronnie Nasralla before Stranger Cole introduced The Techniques to Duke Reid down on Bond Street. Their first hit for Treasure Isle, \"˜Little Did You Know', was an upbeat ska tune and, as the rhythms slowed down to the more elegant pace of rock steady, the group notched up hit after hit before Slim and Franklyn formed The Uniques whose first record, \"˜Let Me Go Girl' proved to be \u003ci\u003e\"the baddest tune for 1967!\"\u003c\/i\u003e. The Techniques, now with Pat Kelly and Bruce Ruffin, continued at Treasure Isle and went on from strength to strength.\u003c\/p\u003e\n\u003cp\u003eWinston Riley borrowed money from his mother and took the singular step of forming his own Techniques label in 1968 with his younger brother Stanley who had sung with The Sensations and who was known as Buster in honour of Sir Alexander Bustamante. The first releases on the label, \"˜Come Back Darling' by Johnny Osbourne and \"˜Who You Gonna Run To' by The Techniques, proved to be major hits. Dave Barker, whose real name was Dave Crooks not Collins, had sung with The Techniques on searing tunes such as \"˜Your Lov's A Gam' however Lee \"˜Scratch' Perry reckoned that \"Dave can do any damn thing man!\". The following year Winston asked Dave to deejay over an Ansel Collins rhythm called \"˜Double Barrel' and reggae historian Steve Barrow recalled that Buster inspired Dave to come up with his \"I am the magnificent\" introduction. The record was credited to Dave \u0026amp; Ansel Collins and, in early 1971, Dave Barker became the first Jamaican deejay to top the UK National Charts when \"˜Double Barrel' was released on the Techniques label through Trojan Records in London. Winston Riley, Dave Barker and Ansel Collins then repeated their success when the follow up, \"˜Monkey Spanner', hit the Number Seven spot in the UK National Charts later that year.\u003c\/p\u003e\n\u003cp\u003eWinston Riley opened his Techniques Record Shop in Chancery Lane, off Kingston's North Parade, in 1972 and continued to make music that mattered from his downtown base. Throughout the period when roots music was in the ascendancy Winston produced some of the most incisive records of the genre including Donovan Adams' \"˜Don't Mock Jah', The Interns' \"˜Nothing Is Impossibl' and \"˜Purify Your Heart' with Johnny Osbourne, deejay outings such as I Roy's \"˜Who Is The Man' and Big Youth's \"˜All Nations Bow' and one of the best dub albums ever \"˜Meditation Dub'. Buster also started his own label named \"˜Mummy' and hit with records including \"˜Nuh Chuck It' by Dillinger and \"˜Dark Destroyer' by The Mercenaries.\u003c\/p\u003e\n\u003cp\u003eThese three stellar talents, Winston, Buster and Pat, all returned to their rock steady roots for the \"˜Lonely Man' album, a beguiling set of beautiful songs, expertly arranged and soulfully sung released on the Riley Inc. Label in Kingston and on Burning Sounds in London in 1978. Although seemingly out of step with the dread times the album struck a chord with record buyers who were looking for a less confrontational sound. \"˜Lonely Man' helped to return Pat to the premier league of Jamaican vocalists with the new, younger audience and also established him as a favourite in the \"˜big peoples' market along with albums \"˜Give Love A Try' released in 1978, and \"˜One Man Stand' in 1979. At the close of the decade Pat's beautiful \"˜It's A Good Day', released on a Joe Gibbs twelve inch disco mix, was another classic record that broke down many more musical barriers.\u003cbr\u003eThe dance hall style was rapidly assimilated by Winston Riley and General Echo's \"˜Slackest LP' from 1979 is now regarded as one of the foundation stones of dance hall music and Tenor Saw's cut to Winston's timeless \"˜Stalag 18' rhythm, \"˜Ring The Alarm', was a key crossover record whose popularity has never ceased since its release in 1985. And, as computer generated rhythms took over, Winston started recording with one of the guiding lights of the genre Wycliffe \"˜Steely' Johnson. In 1993 he moved into brand new state of the art premises at 99 Orange Street where he continued to be a significant force in the Jamaican music business with both new releases and the enduring popularity of his remarkable back catalogue. As a hit maker for half a century Winston Riley had the satisfaction of knowing that he invariably created top quality music without a sell by date but he tragically died after being shot in Kingston on 19th January 2012; he was predeceased by Stanley \"˜Buster' Riley who died on 19thApril 2011 after being diagnosed with cancer.\u003c\/p\u003e\n\u003cp\u003eOne of Jamaica's finest and most popular singers Pat Kelly has never stopped singing and the popularity of his countless classic records will continue for as long as people listen to music.\u003cbr\u003e\u003cbr\u003eProduced by:\u003cb\u003e \u003c\/b\u003eStanley \"˜Buster' Riley \u0026amp; Winston Riley\u003cbr\u003eMusicians:\u003cbr\u003eDrums: Carlton \"˜Carli' Barrett, Carlton \"˜Santa' Davis \u0026amp; Michael \"˜Mikey Boo' Richards\u003cbr\u003eBass: Carlton \"˜Family Man' Barrett, George \"˜Fully' Fullwood \u0026amp; Robert \"˜Robbi' Shakespeare\u003cbr\u003eGuitar: Radcliffe \"˜Duggi' Bryan, Albert Valentine \"˜Tony' Chin, Willie Lindo \u0026amp; Earl \"˜Chinna' Smith\u003cbr\u003ePiano: Harold Butler, Ansel \"˜Pinki' Collins, Tyrone \"˜Organ D' Downie \u0026amp; Winston \"˜Brubeck' Wright\u003cbr\u003eOrgan: Ansel \"˜Pinki' Collins \u0026amp; Earl \"˜Wir' Lindo\u003cbr\u003eHorns: Bobby Ellis, Jerome Francisque, David Madden, Herman \"˜Seventh' Marquis \u0026amp; Tommy McCook\u003cbr\u003ePercussion: Michael \"˜Mikey Boo' Richards, Denzil \"˜Pops' Laing, Uzziah \"˜Sticky' Thompson \u0026amp; Winston Riley\u003cbr\u003eVocals: Pat Kelly\u003cbr\u003eBacking Vocals: Pat Kelly, Cynthia Schloss, Cynthia Richards \u0026amp; Winston Riley\u003cbr\u003eHorns Arranged by: Pat Kelly \u0026amp; Winston Riley\u003cbr\u003eRecorded at: Harry J Recording Studio, 10 Roosevelt Avenue, Kingston 6, Jamaica\u003cbr\u003eEngineer: Sylvan Morris\u003cbr\u003eJoe Gibbs Recording Studio, 24 Retirement Crescent, Kingston 5, Jamaica\u003cbr\u003eEngineers:\u003cb\u003e \u003c\/b\u003eErrol \"˜ET' Thompson \u0026amp; Pat Kelly\u003cbr\u003eMixed at: Federal Recording Studios, 220 Marcus Garvey Drive, Kingston 11, Jamaica\u003cbr\u003eMixed by: George Raymond *under the special supervision of Winston Riley\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide 1\u003cbr\u003e1. Lonely Man\u003cbr\u003e2. Broken Homes\u003cbr\u003e3. There Comes A Time\u003cbr\u003e4. Best Time Of My Life\u003cbr\u003e5. Love O' Love\u003c\/p\u003e\n\u003cp\u003eSide 2\u003cbr\u003e1. After Effects\u003cbr\u003e2. I'm In The Mood\u003cbr\u003e3. I Still Love You\u003cbr\u003e4. Sit And Cry\u003cbr\u003e5. You, You, You\u003c\/p\u003e","brand":"Pat Kelly","offers":[{"title":"Default Title","offer_id":29942457499745,"sku":"BSRLP973","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/3521\/8785\/products\/s993620906317102866_p470_i1_w1600_cdf97cbc-5502-4e7f-b80a-7d622b82d309.jpg?v=1573784517"},{"product_id":"bsrlp972","title":"Mystic Eyes - Mysterious - Vinyl LP","description":"\u003cp\u003eFormat: LP\u003c\/p\u003e\n\u003cp\u003e1979 Roots Reggae album reissued on 180 gram vinyl and on CD for the first time.\u003c\/p\u003e\n\u003cp\u003eProbably the most famous member of the Mystic Eyes was Anthony Johnson who was born in Kingston, Jamaica in 1957. He was raised by his mother Cynthia Hamilton who was a market woman by trade. His father before he split from Johnsons mother worked as a waiter at the Sombero Club in Kingston Jamaica.\u003c\/p\u003e\n\u003cp\u003eJohnson lived with his mother in a tenement yard in the heart of Trench Town called Biah's yard at James Street and it was to prove to be a significant help in his development as an artist and musician.\u003c\/p\u003e\n\u003cp\u003eBiah's yard was owned by an Indian gentleman who had moved to Kingston Jamaica from Cuba and at weekends and holidays it doubled up as a popular dancehall venue.\u003c\/p\u003e\n\u003cp\u003eSome of the big sound systems of the time like King Tubby's played at the dances held in Biah's yard and these events were also attended by some of the top Jamaican singers of the time, again proving to be a big inspiration on a young Johnson.\u003c\/p\u003e\n\u003cp\u003eThe likes of John Holt, Dennis Brown and Alton Ellis regularly visiting these dancehall events.\u003c\/p\u003e\n\u003cp\u003eWhen political violence broke out and escalated in Kingston, Johnson moved away to Montego Bay. He stayed with friends and while there sang in the Irving Steel Band which regularly performed at local hotels and these shows helped him gain confidence as a singer.\u003c\/p\u003e\n\u003cp\u003eWhen Johnson moved back south he lived in Portmore where he became friends with actor\/comedian Carl Bradshaw. Bradshaw had a band and Johnson became a backing singer for a while, again gaining further experience as a performer.\u003c\/p\u003e\n\u003cp\u003eIn the mid-1970s, Johnson began auditioning at Kingston's studios, along with one of his friends Horace Grassett (also known as Badoo). At this time Johnson made his first recording, a track called \"Free Black Man\" for a well-known record producer and although this track was not released, said producer suggested that Johnson should go out and record more material for eventual release.\u003c\/p\u003e\n\u003cp\u003eJohnson took that advice and went onto record for the Hoo Kim brothers at Channel One Studios and also spent time at the Rasta camp on Selassie Drive where he met Les Clarke and Balvin Fials with whom he formed the vocal group Mystic I. (Also known as Mystic and for their UK Burning Sounds LP release as Mystic Eyes.)\u003c\/p\u003e\n\u003cp\u003eThe group recorded three tracks for Lee \"Scratch\" Perry at his Black Ark studio with the best track \"Forward With Jah Orthodox\" being released by Perry as a single in 1978 on his Upsetter label and later issues on the Black Art label.\u003c\/p\u003e\n\u003cp\u003eThe band also recorded several tracks with Linval Thompson which were to be released on the Burning Sounds record label as the album ‘Mysterious’ in 1979.\u003c\/p\u003e\n\u003cp\u003e''Mysterious'' by Mystic Eyes is regarded by many reggae fans as a long lost gem of a record with tracks like ‘Must Eat Bread’ and’ I Hold the Handle’ being favorites with those lucky enough to own the album.\u003c\/p\u003e\n\u003cp\u003eMystic Eyes have also been regarded as one of the best vocal harmony groups alongside the likes of The Uniques and The Travellers.\u003c\/p\u003e\n\u003cp\u003eDue to poor record sales or the bands record not getting the credit it deserved at the time little else seems to have been recorded by the trio.\u003c\/p\u003e\n\u003cp\u003eJohnson continued to record after this release when he went solo, recording for several top Jamaican producers mostly at Channel One Studios.\u003c\/p\u003e\n\u003cp\u003eAgain with Linval Thompson (\"Africa\", \"Life is Not Easy\"), with Henry \"Junjo\" Lawes (\"Let Go This One\", \"Now I Know\"), and with Harry J (\"Follow Them Footsteps\"). Johnson however had his greatest success working with Jah Thomas who produced his first big hit in 1982 with \"Gunshot.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSide 1\u003cbr\u003e1. Must Eat Bread (3.42)\u003cbr\u003e2. Judgement Time (3.15)\u003cbr\u003e3. Linger A While (3.00)\u003cbr\u003e4. I’m Drifting (3.08)\u003cbr\u003e5. Born To Love Rastafari\u003c\/p\u003e\n\u003cp\u003eSide 2\u003cbr\u003e1. Free Up The Ghetto Children (3.01)\u003cbr\u003e2. One Jah Love For I (3.03)\u003cbr\u003e3. Life Is Not Easy (3.05)\u003cbr\u003e4. I Hold The Handle (3.15)\u003c\/p\u003e","brand":"Mystic Eyes","offers":[{"title":"Vinyl","offer_id":32364443304033,"sku":"BSRLP972","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/3521\/8785\/products\/s993620906317102866_p471_i1_w1600.jpg?v=1573784504"},{"product_id":"seccd144-seclp144","title":"Johnny Thunders - I Think I Got This Covered -  Vinyl LP","description":"\u003cp\u003eFormat: LP\u003c\/p\u003e\n\u003cp\u003eJohnny Thunders has spent his whole life under the influence of rock and roll.\u003c\/p\u003e\n\u003cp\u003eFrom the New York street beat of the Shangri-Las and Dion to Elvis Presley and the Rolling Stones, his love of the genre was reflected in the cover versions that featured in his live set throughout his career.\u003c\/p\u003e\n\u003cp\u003eFrom the New York Dolls, Heartbreakers, Living Dead, Delinquents, Gang War and the much under-rated solo years.\u003c\/p\u003e\n\u003cp\u003eJohnny's jukebox favourites would always keep the crowd hooked because after all the kids just want to dance.\u003c\/p\u003e\n\u003cp\u003e\"I'm Not Your Stepping Stone\" (The Monkees,1966) first entered the set during the Living Dead days back in early 1978. Here we feature a cut from the final tour of Japan in 1991, continuing with Johnny's exceptional backing singer Alison Gordy taking the lead on \"Hit The Road Jack\" (Ray Charles,1961) whilst Johnny tears off a lick or two.\u003c\/p\u003e\n\u003cp\u003eNext up \"I Can Tell” (Bo Diddley,1962),\"Little Queenie\" (Chuck Berry,1959),\"Louie Louie\" (Richard Berry,1957), and \"Hang On Sloopy\" (The McCoys,1965) a selection of classics that has the rock and roll party going at full swing.\u003c\/p\u003e\n\u003cp\u003eAnybody who has been lucky to see Johnny live over the years will know that \"Pipeline\" (The Chantays,1962) for many years was the classic set opener, giving you a shiver down the backbone moment as his guitar first kicks in.\u003c\/p\u003e\n\u003cp\u003eA song that featured in many bands live sets, including the likes of The Doors and the Patti Smith Group, \"Gloria” (Them,1964), gives an excuse for a full band workout showcasing the talents of Johnny's final band, The Oddballs, featuring Stevie Klasson on guitar, Stuart Kennedy on bass, Jamey Heath on saxophone, Chris Musto on drums and Alison Gordy on backing vocals and gyrations. Closing out the set we have another instrumental blast with \"Wipeout\" (The Surfaris,1963).\u003c\/p\u003e\n\u003cp\u003eAfter digging up The Heartbreakers for a final bow in the mid-eighties it was back to solo performances for Johnny and time to add some new cover versions to the live set. We catch up with him next in Hollywood in the early days of 1987 now backed by three quarters of The Idols with Barry Jones (London Cowboys) on guitar, rock solid Arthur Kane on bass (New York Dolls \/ Killer Kane) and behind the drum kit the legend that is Jerry Nolan (New York Dolls \/ Heartbreakers) for a voodoo-glam-soul revue live on the infamous Sunset Strip.\u003c\/p\u003e\n\u003cp\u003e\"I Ain't Superstitious\" (Howlin Wolf,1961) gets the ball rolling but it is the next song that turns out to be the jaw dropper for many. Johnny has turned \"The Wizard\" (T. Rex,1970) into his own by stripping right down the chaotic Bolan track to its bare bones, turning it into the song Marc should always have played.\u003c\/p\u003e\n\u003cp\u003eDipping in to the Jagger\/Richards songbook takes us to \"Play With Fire\" (Rolling Stones,1965) a track that could have been Johnny's theme tune whilst spending most of his time living life on the edge.\u003c\/p\u003e\n\u003cp\u003eNext the band stir up some serious modernist vibes with \"Green Onions\" (Booker T \u0026amp; The MG's,1962) a relic from the early eighties \"In Cold Blood\" album era. Some hot soul then hits the dance floor with, “In The Midnight Hour\" (Wilson Pickett,1965), showing that Johnny’s roots and influences came from all musical genres and you can tell the band are having great fun tearing the joint up.\u003c\/p\u003e\n\u003cp\u003eWe finish off our trek back in Japan on the final tour with some tagged on acoustic shows featuring Johnny and Stevie (with some atmospheric sax in the background from Jamey) taking on the Stones again with” As Tears Go By\" (Marianne Faithfull.\u003c\/p\u003e\n\u003cp\u003e1964), along with a version of the sixties protest song \"Eve Of Destruction\" (Barry McGuire,1965) before finishing up with a heartfelt \"I'd Much Rather Be With The Boys\" (Rolling Stones,1965), and not long after he was, departing this world like the host of other original rockers who have fallen by the wayside.\u003c\/p\u003e\n\u003cp\u003eUp in heaven, there’s one hell of a party going on.\u003c\/p\u003e\n\u003cp\u003e\"Hey God.......more reverb in the monitors\"\u003c\/p\u003e\n\u003cp\u003eTaylor Deadbolt.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide 1\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI'm Not Your Stepping Stone (Monkees)\u003c\/li\u003e\n\u003cli\u003eHit The Road Jack (Ray Charles)\u003c\/li\u003e\n\u003cli\u003eI Can Tell (Bo Diddley)\u003c\/li\u003e\n\u003cli\u003eLittle Queenie (Chuck Berry)\u003c\/li\u003e\n\u003cli\u003ePipeline (The Chantays)\u003c\/li\u003e\n\u003cli\u003eLouie Louie (Richard Berry)\u003c\/li\u003e\n\u003cli\u003eHang On Sloopy (The McCoy's)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide 2\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGloria (Them)\u003c\/li\u003e\n\u003cli\u003eWipeout (The Surfaris)\u003c\/li\u003e\n\u003cli\u003eAs Tears Go By (Marianne Faithful)\u003c\/li\u003e\n\u003cli\u003eEve Of Destruction (Barrie McGuire)\u003c\/li\u003e\n\u003cli\u003eI'd Much Rather Be With The Boys (Rolling Stones)\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Johnny Thunders","offers":[{"title":"Vinyl","offer_id":32364444549217,"sku":"SECLP144","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/3521\/8785\/products\/s993620906317102866_p474_i1_w1600.jpg?v=1573179822"},{"product_id":"bsrcd971-bsrlp971","title":"King Sighter - The One Eyed Giant - Vinyl LP","description":"\u003cp\u003eFormat: CD \u0026amp; LP\u003c\/p\u003e\n\u003cp\u003eKing Sighter also known as King Sighta.\u003c\/p\u003e\n\u003cp\u003eLittle seems to be known about King Sighter the artist other than a few record releases and sleeve notes that appear on the back of the original LP cover which state he was a 24 year old who apparently lost his eye in a factory accident. Compared in style to the magnificent DJ artist I Roy, King Sighters The One Eyed Giant album was originally recorded and released in 1978.\u003c\/p\u003e\n\u003cp\u003eProduced and recorded at Channel One Studios and Randy's in Kingston, Jamaica by Phil Pratt with the Soul Syndicate used as the backing band for the recording, two versions of this album exist.\u003c\/p\u003e\n\u003cp\u003eA Jamaican pressing on Terminal Records with a different track order and cover saw the album titled ‘Master Of All’ by King Sighta. In the same year a UK pressing with slight name change to King Sighter saw the record titled ‘The One Eyed Giant’.\u003c\/p\u003e\n\u003cp\u003eKing Sighter was a veteran Jamaican toaster who often dressed up as a pirate or a king as seen on the UK LP cover for his appearances.\u003c\/p\u003e\n\u003cp\u003eThe album ‘The One Eyed Giant’ is regarded a long lost classic and mostly due to Phill Pratts killer production which drew on riddims from tracks like Al Campbells ‘Foot Stool’, Delroy Websters ‘Book Of Love’ and Ken Boothe’s ‘Who Gets Your Love’. The final article is pure magic for fans of DJ reggae.\u003c\/p\u003e\n\u003cp\u003eTracklisting\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003eLP\u003cbr\u003eSide 1\u003cbr\u003e1. High Ranking Something\u003cbr\u003e2. Dollar Fe A Refer\u003cbr\u003e3. I'm Alright\u003cbr\u003e4. Master Of All\u003cbr\u003e5. Brand New Fashion\u003cbr\u003eSide 2\u003cbr\u003e1. Shining Star\u003cbr\u003e2. Roll On\u003cbr\u003e3. Another Scorcher\u003cbr\u003e4. Check Mister Forster\u003c\/p\u003e","brand":"King Sighter","offers":[{"title":"Vinyl","offer_id":32364444221537,"sku":"BSRLP971","price":10.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/3521\/8785\/products\/s993620906317102866_p475_i1_w1280.png?v=1573179829"},{"product_id":"bsrlp921","title":"Jimmy Riley - Majority Rule - Vinyl LP","description":"\u003cp\u003eFormat: LP\u003c\/p\u003e\n\u003cp\u003eRecorded on 180 gram Vinyl\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSide 1\u003cbr\u003e1. Majority Rule\u003cbr\u003e2. Somebody Told Me\u003cbr\u003e3. I’m Yours You’re Mine\u003cbr\u003e4. Exploitation\u003cbr\u003e5. Rise and Work\u003cbr\u003e\u003cbr\u003eSide 2\u003cbr\u003e1. Love You Madly\u003cbr\u003e2. Play Play\u003cbr\u003e3. Gun Man Of J.A.\u003cbr\u003e4. Channel One Crash\u003cbr\u003e5. Majority Rule Dub\u003c\/p\u003e","brand":"Jimmy Riley","offers":[{"title":"Default Title","offer_id":29942463430753,"sku":"BSRLP921","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/3521\/8785\/products\/R-13270311-1557948942-3897.jpeg?v=1573179816"},{"product_id":"mbtcd009-bt5009","title":"Bobak, Jons, Malone - Motherlight - CD Album","description":"\u003cp\u003eFormat: CD \u0026amp; LP\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"color: #000000;\" color=\"#000000\"\u003eTracklisting\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"color: #000000;\" color=\"#000000\"\u003eCD\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan\u003eMotherlight (3.28)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"color: #000000;\"\u003e\n\u003cspan\u003eOn A Meadow-Lea (4.39)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"color: #000000;\"\u003e\n\u003cspan\u003eMona Lose (3.00)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"color: #000000;\"\u003e\n\u003cspan\u003eWanna Make A Star, Sam (2.10)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"color: #000000;\"\u003e\n\u003cspan\u003eHouse Of Many Windows (3.39)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"color: #000000;\"\u003e\n\u003cspan\u003eChant (4.09)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"color: #000000;\"\u003e\n\u003cspan\u003eBurning The Weed (3.24)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"color: #000000;\"\u003e\u003cspan\u003eThe Lens (6.49)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cspan\u003e\u003c\/span\u003e","brand":"Bobak, Jons, Malone","offers":[{"title":"CD","offer_id":29942475161697,"sku":"MBTCD009","price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/3521\/8785\/products\/s993620906317102866_p501_i1_w1600_32a03b1b-e510-4f97-b20c-438009518e78.jpg?v=1591928696"},{"product_id":"bsrlp569","title":"Revolutionaries - Green Bay Dub - Vinyl LP","description":"Format: LP\n\u003cp\u003eThe RevolutionariesClassic Dub album\u003cbr\u003eInsert with extensive sleeve notes.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eTrack Listing\u003cbr\u003eSide 1\u003c\/p\u003e\n\u003col\u003e\n\u003cli style=\"color: #000000;\"\u003eMafia Dub\u003c\/li\u003e\n\u003cli style=\"color: #000000;\"\u003eJungo In Dub\u003c\/li\u003e\n\u003cli style=\"color: #000000;\"\u003eSurvival Dub\u003c\/li\u003e\n\u003cli style=\"color: #000000;\"\u003eNagusa Dub\u003c\/li\u003e\n\u003cli style=\"color: #000000;\"\u003eSkillful Dub\u003c\/li\u003e\n\u003c\/ol\u003e\nSide 2\n\u003col\u003e\n\u003cli style=\"color: #000000;\"\u003eCreation Dub\u003c\/li\u003e\n\u003cli style=\"color: #000000;\"\u003eGreen Bay Dub\u003c\/li\u003e\n\u003cli style=\"color: #000000;\"\u003eHop Scotch Dub\u003c\/li\u003e\n\u003cli style=\"color: #000000;\"\u003eJerusalem Dub\u003c\/li\u003e\n\u003cli style=\"color: #000000;\"\u003eBack A Wall Dub\u003c\/li\u003e\n\u003c\/ol\u003e\nThe Revolutionaries:\u003cbr\u003eDrums: Stanley 'Barnabas' Bryan, Carlton 'Santa' Davis, Lowell 'Sly' Dunbar\u003cbr\u003e\u0026amp; Leroy 'Horse Mouth' Wallace\u003cbr\u003eBass: Bertram \"˜Ranchi' McLean, Lloyd 'Sparks' Parks \u0026amp; Robert 'Robbi' Shakespeare\u003cbr\u003eLead Guitar: Radcliffe 'Duggi' Bryan \u0026amp; Earl 'Chinna' Smith\u003cbr\u003eRhythm Guitar: Winston 'Bo Peep' Bowen, Valentine 'Tony' Chin \u0026amp; Robert 'Robbi' Shakespeare\u003cbr\u003eKeyboards: Ansel 'Pinki' Collins, Bernard 'Touter' Harvey, Robbie Lynn, Oswald 'Ossi'\/'No Go' Hibbert, Errol 'Tarzan' Nelson \u0026amp; Winston 'Brubeck' Wright\u003cbr\u003eAlto Saxophone: Herman Marquis\u003cbr\u003eTenor Saxophone \u0026amp; Flute: Tommy McCook\u003cbr\u003eTrombone: Vincent \"˜Don D Junior' Gordon \u0026amp; Ron \"˜Willow' Wilson\u003cbr\u003eTrumpet: Bobby Ellis\u003cbr\u003ePercussion: Christopher 'Sky Juic' Blake, Stanley 'Barnabas' Bryan, Noel 'Zoot'\/'Scully' Simms \u0026amp; Uzziah 'Sticky' Thompson\u003cbr\u003eRecorded and Mixed at:\u003cbr\u003eChannel One Recording Studio, 29 Maxfield Avenue, Kingston 13, Jamaica\u003cbr\u003eRemixed at:\u003cbr\u003eKing Tubby's, Tubby Recording Studio, 18 Dromilly Avenue, Kingston 11, Jamaica\u003cbr\u003eWritten, Arranged \u0026amp; Produced by: Linval Thompson","brand":"Revolutionaries","offers":[{"title":"Default Title","offer_id":29942477488225,"sku":"BSRLP969","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/3521\/8785\/products\/s993620906317102866_p512_i1_w1600.jpg?v=1573180949"},{"product_id":"bsrlp968","title":"The Blackstones - Insight - Vinyl LP","description":"\u003cp\u003eFormat: LP\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eThere is conclusive evidence that the fabulous BLACKSTONES are the latest stunning emergence of impeccable voices, discovered by Phil Pratt.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eThey stand as Britain's answer to a host of JA's top vocal outfits. This spectacular vocal unit is made up of Leon Lieffer, Neville Henry and Byron Otis, three very charming individuals.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eTheir roots go back into the early seventies.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eLeon, the founder member - was previously a member of a young and promising vocal outfit called the Mighty Soul Rebels.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eThe highly respected Roy Shirley introduced Leon to Neville Henry, who had already built himself a good reputation as a continuous talent contest winner.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eThe third member, Byron Otis had cemented a firm reputation with 'Sugar Bum' his debut record for Lloyd Coxsone. He replaced Ben Cookery in the line-up.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eOnce settled as a unit, confidence in their own abilities led them to produce themselves - with the aid of Fay Adderson - on their debut disc, a rendition of The Melodians 'Little Nut Tre'. Such stunning self-compositions as 'Can't Get No Money' and We Nah Go Suffer' followed. This led to their next record, a soothing rendition of Danny Clark's 'Babylon Trap Them'.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eThe zealous threesome then came under the wing of one of JA's ace record producers - Phil Pratt.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eA string of memorable hits with such spectacular reggae artists and groups as: Ken Boothe, Pat Kelly, Jimmy London, John Holt, Dennis Brown, Delroy Wilson, AI Campbell and the Heptones - along with many others, has polished his reputation in reggae music.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eFor Phil Pratt they first recorded a song titled 'Revolution Tim', followed in due course by the rest of this album.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSo this irresistible and highly impressive trio is Phil's protégé, one certainly to be proud of.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e'May soothing moods embed your feelings'.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e(Based on original sleeve notes by John Williams of Black Echoes)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eRecorded At 'Channel One' \u0026amp; 'Joe Gibbs' studios, Kingston, Jamaica.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eCrucial Bunny Mixer at 'Channel One'.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eVocals \u0026amp; Major Lead Guitars: Laid down at Chalk Farm studios, North London, England. \u003c\/span\u003e\u003cspan style=\"color: #000000;\"\u003eProduced by Phil Pratt.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eClassic Reggae Album Originally Released 1979. 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Born Silbert Walton in 1957 in the rural parish of St. Ann on Jamaica’s North Coast he worked for a year in the Jamaican police force before becoming a deejay and in 1976 began recording with ‘Gourmandiser’ for Joe Gibbs, a version to Dillinger’s Channel One smash ‘Ragnampiza’, ‘Gals Dem A Watch Me’ for Winston Riley’s Techniques label, ‘DJ Christmas’ for Carlton Patterson’s Black \u0026amp; White label and ‘Jah Walton Chant’ for Lloyd ‘Spiderman’ Campbell. He also supplied the ‘Part Two’ on a number of High Note twelve inch disco mix re-issues of Treasure Isle rock steady classics including ‘My Best Girl’ with The Paragons and ‘Queen Majesty’ by The Techniques. And, as a lucrative sideline, Jah Walton also used his talent for mimicry and insightful sense of humour to voice-over innumerable advertisements at the studios of RJR and JBC. 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Guy had just co-founded a salon with his brother Toni, which since then has mushroomed into the hairdressing juggernaut that is \"Toni and Guy\". However, in 1967, Guy and David were songwriting in their spare time and, having completed demos for a number of songs, happened to bump into an engineer from the small independent Saga Records. They were quickly signed to the label and put into the recording studio, with backing from Mike Hawksworth on bass guitar, John Du Cann on guitar and vocals and Jack McCulloch on drums. 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As a very young man he would visit bars with his father, \"there's no bar without a juke box\", and, while Mr Brown and his friends would talk and drink, young Huford would listen to the records playing on the juke box. The lure of music proved irresistible and \"between the age of eleven and thirteen\", instead of attending classes at Tivoli Gardens Comprehensive, he began going to local dances. \"in those days the big deejays was like Lord Comic, King Stitt and U Roy\" who proved to be a formative influence on U Brown's developing style.\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\"My right name is Huford Brown and because I get attracted to U Roy from U Roy deejay Tubby's (King Tubby's Home Town Hi-Fi) usually\"¦ I used to love go and listen him.\" U Brown\u003c\/p\u003e\n\u003cp\u003eTrack listing for CD and Vinyl\u003c\/p\u003e\n\u003cp\u003eTrack Listing - Repatriation\u003c\/p\u003e\n\u003cp\u003eSide 1.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBlack Princess\u003c\/li\u003e\n\u003cli\u003eNatty Dread a de President\u003c\/li\u003e\n\u003cli\u003eLeggo The Youths\u003c\/li\u003e\n\u003cli\u003eRock You\u003c\/li\u003e\n\u003cli\u003eSweet Reggae Music\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide 2.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNo More Tribal\u003c\/li\u003e\n\u003cli\u003eSet Jah Jah Children Free\u003c\/li\u003e\n\u003cli\u003eRepatriation Is A Must\u003c\/li\u003e\n\u003cli\u003eFire Keep Burning\u003c\/li\u003e\n\u003cli\u003eDry Up Your Tears\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eBonus 10\" EP by Dickie Rankin\u003c\/p\u003e\n\u003cp\u003eSide 1.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLorretta\u003c\/li\u003e\n\u003cli\u003eLet's Seek Truth \u0026amp; Rights\u003c\/li\u003e\n\u003cli\u003eCocaine Business (A Money Business)\u003c\/li\u003e\n\u003cli\u003eRock The Beat\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide 2.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLorretta (version)\u003c\/li\u003e\n\u003cli\u003eLet's Seek Truth \u0026amp; Rights (version)\u003c\/li\u003e\n\u003cli\u003eCocaine Business (A Money Business) (version)\u003c\/li\u003e\n\u003cli\u003eRock The Beat (version)\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"U Brown","offers":[{"title":"Default Title","offer_id":29942535094369,"sku":"BSRLP935","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/3521\/8785\/products\/s993620906317102866_p602_i1_w2560_3f921c3a-0e1a-4fbd-adaf-6cef86e1638a.jpg?v=1573181054"},{"product_id":"secdp180-seclp193","title":"The Tubes - Bondage At The Bush -  2 x 12\" Vinyl LP","description":"\u003cp\u003eFormat: 2 x 12\" Vinyl LP\u003c\/p\u003e\n\u003cp\u003eThe Tubes started out in Phoenix Arizona in 1972, the year when compadre shock-rocker Alice Cooper made a name for himself by blending hard rock with outrageous stage theatrics. The two founder members, guitarist Bill 'Sputnik' Spooner and Vince Welnick on keyboards then recruited front man John 'Fe' Waybill and the rest of the band. Keyboardist Gary Cambra joined when the band re-formed in 1993. Waybill, an ex-drama student, soon persuaded the band to move to the Bohemia of San Francisco's Bay Area where their way-out musical and theatrical ideas found a welcome home. Long before the MTV age, the Tubes pioneered the rock video and on stage video projection. The band then dreamt up outrageous stage characters such as glam-rock queen Quay Lewd (miraculously still alive and well and present here), Dr Strangekiss and severely repugnant punk Johnny Bugger.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003c\/p\u003e\n\u003cp\u003eA1. She's A Beauty\u003cbr\u003eA2. Don't Touch Me There\u003cbr\u003eA3. My Asylum\u003cbr\u003eA4. Don't Want To Wait Anymore\u003cbr\u003e\u003cbr\u003eB1. What Do You Want From Life?\u003cbr\u003eB2. 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